Experimental Album

by GRIPES

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1.
IMMOLATION 01:43
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If there were something to be said. Then i would be happy with myself, except I’ll sit and pull my hair (x4)
2.
CRY 01:31
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If I were, I would cry Lift back the gates and sell our mind That controls and sells our time
3.
HILGADEN 02:49
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I been time fell over no body It’s for time and sell, to me Ohhhhhhohhhhahhohh this mind and control that be ahh pretend, phallic, need my aesthetic/esthetic is no community no body pretend your not, my time fell over
4.
OUR LADY OF PARIS 02:20
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This realm, cursid, doors Young said that ahhhh take my heart this stranger of sent talks to me, myself the end of my heart this space end, right well, to tell, this day done the tip of my tongue What I tell, I’m sorrow myself the tip missed, what we knew is long
5.
SORRY PEOPLE 02:55
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I can’t be here now, now that I’m awake I won’t let down be here now, I won’t This change breaks my day shakes starts to lie walk, walk away (awake) I can’t be here now, now that I’m awake people will be mistaken this place won’t lie to you

about

Genre: Blackgaze, Depressive, Experimental
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This album takes a lot of inspiration from Have a Nice Life and Cindy Lee but the songs progress and fold around ideas of truth about happening and status. By that, I mean opinion in an artistic sense and appropriate understanding. All that’s left in me.
The presentation seems that, but the songs describe a depressive gloom in which you will feel empty and bare. No signs of life around no signs of anything but that unspecial someone still seeming how they seem. Eating away at your heart and soul, the beauty may torment you or just kill a bird. My head isn’t really on straight grasping at successive attempts and seeking help while the push-pull of life, throw it off with how it seems and how people actually present themselves. As for the environment, it’s minimal drum machine played slow nothing too complex, the synth eats the drum sound extenuating the decay and making space for flow. The true pain of wrapping my knuckles on the body of the guitar, a presence to be matched. It’s not really a me thing if I don’t explain how I take from the midst of things to produce my art based around single ideas that quickly are just feelings. It’s not a you thing if you don’t really understand that all the feelings won’t add up, they can’t be.
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“Sounds great tad!” - Cindy Lee Woland

credits

released April 22, 2019

EVERYTHING by Tad Ishikawa

Instruments used: Bastl Thyme, Bastl Micro Granny 2.5, Teisco Del Ray ET 280, Dynamic Microphone, Condenser Microphone, EHX Cathedral, OBNE Black Fountain, Walrus Audio Bellwether, P.O KO, Jamman Express, Scarlet 2i2 USB, Roland JC-40.

PHOTO: "Fire In Paris" Tragically by Google
Things should get better with their 5-year rebuilding plan.

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GRIPES

Formed in Vancouver in Madison. Sept. 9 2017

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